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Introduction: Why This Book? A few years ago, while I was working at Side Effects Software, the creators of Houdini, I saw an e-mail from one programmer to another, explaining how to use a particular feature of the software.

Without his amazing effort, and his complete attention to detail, this would be a less accurate, less complete volume. And I’d especially like to give extra super-duper credit to Peter Bowmar, who volunteered to proofread this book. He started his career in the last century, using Prisms and Houdini 1.0 on feature film and creative R&D projects. His experiments in plant consciousness have led him to use Houdini’s CHOPs to make a singing tree in a sculpture park in Sweden. Dave Robert David Robert likes connecting things together in weird ways. Ken has been a user since Houdini 1.1, memory leak and all. He was the Character Supervisor on the Wild (a Houdini-centric pipeline with modeling, rigging, animation, lighting all done in Houdini). Digital Pictures (Toronto, Canada) and is also juggling the Modeling Supervisor position (character/Įnvironmental) for C.O.R.E. Ken Ouellette Ken Ouellette is currently the CTO for C.O.R.E. Andrew Lyons Andrew Lyons is an Effects TD at Laika, and has used Prisms/ Houdini since 1995. His CG career began a decade ago while working at SEGA and Alias in Tokyo and he is currently on the FX team at Digital Domain. Kenneth Ibrahim Kenneth Ibrahim has worked on a number of feature films using Houdini including Peter Pan, Superman Returns, Flags of our Fathers, and Pirates of the Caribbean III.

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George ElKoura George ElKoura is currently a Software Engineer at Pixar, prior to which he worked on Houdini at Side Effects Software. Alex Budovski Alex Budovski is a student presently studying Software Engineering with a particular interest in 3D production and rendering. He continues to be a thorn in the side of SESI’s R&D department. I had lots of help, and I’d like to acknowledge the individuals who contributed to the tips in this book: Peter Bowmar Peter Bowmar is an Effects TD at Framestore-CFC in London. And to Lottie, who got a lot fewer walks than she was used to.Ĭredit Where Credit is Due A book like this cannot be written by one person – it’s just not possible to know every aspect of a product as deep and wide as Houdini.

So to Jaqui, Phoebe, and Grace thank you. ISBN: 978-2-8įor information on all Focal Press publications visit our website at 07 08 09 10 11ĭedication This is harder than it looks, especially for the people who watched me disappear for months to get it done. Library of Congress Cataloging-in-Publication Data (Application submitted) British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library. Permissions may be sought directly from Elsevier’s Science & Technology Rights Department in Oxford, UK: phone: (⫹44) 1865 843830, fax: (⫹44) 1865 853333, E-mail: You may also complete your request on-line via the Elsevier homepage (), by selecting “Support & Contact” then “Copyright and Permission” and then “Obtaining Permissions.” Recognizing the importance of preserving what has been written, Elsevier prints its books on acid-free paper whenever possible. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior written permission of the publisher.

Acquisitions Editor: Paul Temme Publishing Services Manager: George Morrison Project Manager: Kathryn Liston Associate Acquisitions Editor: Dennis McGonagle Assistant Editor: Chris Simpson Marketing Manager: Christine Degon Veroulis Focal Press is an imprint of Elsevier 30 Corporate Drive, Suite 400, Burlington, MA 01803, USA Linacre House, Jordan Hill, Oxford OX2 8DP, UK Copyright © 2007, Elsevier Inc.